• 观看记录
    视频
    视频
    取消
    推荐搜索
    全部
    电影 欧洲的某个地方

    欧洲的某个地方

    影片信息

    • 片名：欧洲的某个地方
    • 状态：DVD
    • 主演：Artúr Somlay/Miklós Gábor/Zsuzsa Bánki/
    • 导演：Radványi Géza/
    • 年份：1948
    • 地区：其它
    • 类型：剧情/
    • 时长：内详
    • 上映：未知
    • 语言：其它
    • 更新：2024-09-14 16:53
    • 简介：　　Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the stre
    1948/其它/剧情 /其它/

    • 扫一扫用手机访问

     立即播放  量子资源

    选择来源

    • 量子资源
    3.0
    网友评分
    • 很差
    • 较差
    • 还行
    • 推荐
    • 力荐
    734次评分
    3.0
    网友评分
    • 很差
    • 较差
    • 还行
    • 推荐
    • 力荐
    734次评分
    给影片打分 《欧洲的某个地方》
    • 很差
    • 较差
    • 还行
    • 推荐
    • 力荐
    我也要给影片打分

    扫一扫用手机访问

    首页 电影 剧情片 欧洲的某个地方

    播放列表

     当前资源来源量子资源 - 在线播放,无需安装播放器
     倒序
     量子资源

    剧情简介

    　　Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

    为你推荐

     换一换
    • 正片
      黛布说了算 剧情片
      5.0 丽莎·雷·麦考伊 克利夫顿·鲍威尔
    • 正片
      皇家骗局 剧情片
      6.0 珍妮·博伊德 Max Rinehart 索瑞·安达斯鲁 Nicola Andreou Bruno Bingley Conor Barrie 海伦·希尔
    • 正片
      逆流而上（2026） 剧情片
      8.0 胡文珊 刘明 吴科燃
    • HD
      浪扼三焦 剧情片
      6.0 卡拉·朱里 Véronique Tshanda Beya Esperanza Martin González-Quevedo Alessia Raschellà 沙夏·莱伊
    • HD
      此时此地2023 剧情片
      5.0 蒙·康菲多 Lesley Lina Yukihiko Mizomoto 尾野真千子 曼尼·帕奎奥 田边桃子 Lou Veloso Buboy Villar 结城贵史
    • HD
      麦哲伦 剧情片
      8.0 盖尔·加西亚·贝纳尔 达里奥·亚斯贝克·贝纳尔 拉斐尔·莫雷斯 托马斯·阿尔韦斯 保罗·卡拉特雷 罗尼·拉扎罗 Rafa Siguion-Reyna Ivo Arroja 麦克斯·格罗斯·马延奇 Roger Alan
    • 正片
      凶器 剧情片
      6.8 乔什·布洛林 朱莉娅·加纳 阿尔登·埃伦瑞奇 奥斯汀·艾布拉姆斯 卡里·克里斯托弗 王汉斌 埃米·马迪根 琼·黛安·拉斐尔 托比·哈斯 梅丽莎·庞西奥 惠特默·托马斯 凯莉·舒特拉 杰米斯·巴特勒 萨拉·科普金 奥布雷·布洛克维 塞尔吉奥·杜克 克莱顿·法里斯 嘉莉·吉布森 杰森·特纳 乔伊·希尔
    • 正片
      美味倒数 剧情片
      7.0 崔宇植 张慧珍 孔升延
    • 正片
      设身成椅 剧情片
      5.0 朱丽叶特·刘易斯 马莫多·阿西 萨曼莎·玛西丝 罗宾·汤尼 小克利夫顿·克林斯 乌多·基尔 贝蒂·巴克利 梅兰尼·格里菲斯
    • HD
      NO.1 剧情片
      6.0 崔宇植 张慧珍 孔升延
     换一换

    最新资讯

    更多
    更多

    评论

    共 0 条评论

    剧情片排行榜

    更多